1. from...........
2. to...............
- Lev Manovich. (2001) The Language of New Media, MIT press.
Human culture has been re-recording intellectual and optical world using digital data that lead to the formulation of digital databases; of sums of digital data. These databases are the output of this whole procedure but also become the basis of any further negotiation.
-Regis Debray, "What is mediology".
"What is mediology", http://www.monde-diplomatique.fr/1999/08/DEBRAY/12314
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3.(media)Tools affecting structures.(in both of theory and practice)
-Data
-Narrative Databases, Dynamic output
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3b. in terms of Semiotics:
---output is not a Dyadic Sign ( Signifier - Signified ), F. Saussure
---output is a (dynamic)Triadic Sign (Object - Representamen - Interpretant), M. Pierce
- Object (Object, Concept, Idea) Sth that can be encoded in a sign
- Representamen , the sign that denotes the object (Saussure's Signifier)
- Interpretant , the meaning obtained by decoding the sign
-immediate, the denotative meaning
-dynamical, the meaning actually produced by the sign
-final,the meaning produced if the sign were properly understood
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Algorithms are designed in order to work as specific mechanisms that reproduce specific tasks using the numerical codes. The way that they proceed with the tasks is predefined and scheduled. The mechanism they suggest is dynamic but stable. The algorithmic formulations are specific and possible to lead to multiple narratives via exploring the database.
How would be the possibility of an algorithm that would be designed in an “unconventional” way; of an algorithm that would be scheduled to alter its structure; to interfere into its own function? That would mean that the input of the software would get through a possibly unpredictable procedure with unpredictable output. The possible products would form a new idea of databases and moreover of narratives. It would be a different kind of data processing in which data would acquire a new identity. A new data status where data output might be itself a narrative; a correspondence to the software decision of acting
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